NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art

NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art Solutions to each chapter is provided in the list so that you can easily browse through different chapters NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art and select need one. NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art Question Answers Download PDF. NIOS Study Material of Class 10 Folk Art Notes Paper 244.

NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art

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Also, you can read the NIOS book online in these sections Solutions by Expert Teachers as per National Institute of Open Schooling (NIOS) Book guidelines. These solutions are part of NIOS All Subject Solutions. Here we have given NIOS Class 10 Folk Art Chapter 1 Introduction to Folk and Tribal Art, NIOS Secondary Course Folk Art Solutions for All Chapters, You can practice these here.

Introduction to Folk and Tribal Art

Chapter: 1

INTEXT QUESTIONS 1.1

Tick the correct answers:

1. What type of painting is Bhimbhetka painting?

(i) Rock painting.

(ii) Clay painting.

(iii) Phad painting

(iv) Mithila painting.

Ans: (i) Rock painting.

2. In which state do you find Bhimbhetka rock paintings?

(i) Uttar Pradesh. 

(ii) Madhya Pradesh.

(iii) Bihar.

(iv) Bengal.

Ans: (ii) Madhya Pradesh.

INTEXT QUESTIONS 1.2

1. In which state do you find Jogimara Fresco painting?

Ans: Madhya Pradesh.

2. What is the age of this painting?

Ans: 1st century  B.C.E.

3. What colours were generally used in Jogimara painting?

Ans: Red, black, white, yellow.

4. Which colour was rare in Jogimara painting?

Ans: Red, black, white, yellow.

INTEXT QUESTIONS 1.3

1. What type of art is Jadupat?

Ans: Tribal art.

2. Which state does it associated with this tradition?

Ans: West Bengal.

3. Who are Jadupatua?

Ans: Santhals, who make Jadupatua paintings.

INTEXT QUESTIONS 1.4

1. What type of art is Madhubani?

Ans: Folk art.

2. Which state does it associate with?

Ans: Bihar.

3. Which communities of people generally represent this painting?

Ans: Kayastha, Brahmin and Dusadh.

TERMINAL EXERCISE

1. What is Rock painting? Give one example of a prehistoric Rock painting and describe it.

Ans: Rock art can be found in various locations around the world, with notable examples, the Bhimbetka rock shelters in India. Depictions of animals, hunting scenes, and geometric patterns were common motifs in Mesolithic rock art. This reflects the close relationship between early humans and their natural surroundings.

In the Palaeolithic era, famous examples include the Lascaux and Altamira caves, as mentioned above. Other famous Palaeolithic art includes art found in the Rouffignac caves in France, where archaeologists believe that there is evidence that adults taught young children how to produce art.

Prehistoric Rock Paintings were printed on rocks, and these rock cravings were referred to as Petroglyphs. Paintings and sketches were the earliest art forms used by humans to express themselves on the canvas and walls of caves. The first Prehistoric Rock Paintings were uncovered in Madhya Pradesh’s Bhimbetka caves.

2. What is Fresco painting? Give one example of Fresco painting and describe it.

Ans: Fresco is a mural painting technique that involves painting with water-based paint directly onto wet plaster so that the paint becomes an integral part of the plaster.

Example of Fresco painting: Michelangelo’s paintings in the Sistine Chapel and Raphael’s Stanza murals in the Vatican are the most famous of all frescoes.

The most well-known fresco is the Sistine Chapel ceiling painted by Michelangelo between 1508 and 1512. Another iconic example of fresco painting is the 13th century masterpiece, Giotto di Bondone’s Arena Chapel in Padua, Italy.

3. What are the divisions that cave art had divided, and why?

Ans: Folk art, including cave art, can be divided into several categories based on various criteria. While cave art specifically may not always neatly fit into these categories due to its unique nature, here are some divisions commonly used in the study of folk art:

(i) Geographical Divisions: Folk art can be categorised based on the geographical location of its origin. Different regions often have distinctive styles and techniques influenced by local culture, materials, and traditions. For example, folk art from the American Southwest may differ significantly from folk art found in Scandinavia.

(ii) Functional Divisions: Folk art can also be divided based on its function or purpose. This could include categories such as decorative arts (e.g., pottery, textiles, woodcarving), religious art (e.g., icons, religious sculptures), utilitarian art (e.g., tools, household objects), and performance arts (e.g., folk music, dance, storytelling).

(iii) Material Divisions: Folk art can be categorised based on the materials used in its creation. Different materials such as wood, clay, metal, fabric, and natural pigments lend themselves to different techniques and styles, resulting in diverse forms of expression.

(iv) Cultural Divisions: Folk art can also be divided based on cultural or ethnic identity. Different cultural groups often have their own distinct folk art traditions that reflect their history, values, and beliefs. For example, Native American folk art may incorporate motifs and symbols that are unique to indigenous cultures.

(v) Stylistic Divisions: Folk art can be categorised based on stylistic characteristics such as the use of colour, form, and symbolism. While folk art often prioritises simplicity and accessibility, stylistic variations can still be observed based on regional influences and individual artistic expression.

4. Give an example of tribal art and explain it.

Ans: Example of tribal art Warli painting is a form of tribal art mostly created by the tribal people from the North Sahyadri Range in Maharashtra, India. This tribal art was originated in Maharashtra, where it is still practised today. The Warli Painting tradition in Maharashtra is among the finest examples of the folk style of paintings.

5. Give an example of folk art and explain it.

Ans: Example of folk Arts: Forms of American folk art include painting, quilt, embroidery, sculpture, pottery, and basketry.

Folk Art can be described as art that is of the people, for the people and by the people. These artists are interested in making art that tells stories about daily life or the culture of their community.

6. Name those gods and goddesses who are associated with Madhubani painting?

Ans: The most-painted themes and designs are the worshipping of Hindu deities and episodes of their sacred writings, such as the episode of Radha and Krishna, Rama, Shiva, Ganesha, Laxmi, Saraswati, the monkey, the sun, the moon, the plant of Tulasi, the Deep (it is a traditional lamp – made of soil, a symbol of a happy. Madhubani paintings are among the most famous paintings in the world. This popular art of the Mithila region expresses the creativity and sensitivity of its people. Like any folk art, it also shows the psychology of the society to which it belongs; it reflects the morals, values ​​and customs of the region in a very interesting way. This age-old art is achieved by the use of fingers, twigs, brushes, nib-pens, and matchsticks, using natural dyes and pigments, and is characterised by eye-catching geometrical patterns. These paintings are predominantly made by the women of the Mithila region and thus it signifies a great deal in a male-dominated society.

7. What are Madhubani art has evolved into a global art form, transcending caste distinctions?

Ans: Madhubani art has evolved into a global art form, transcending caste distinctions are: 


(i) In contemporary times, Madhubani art has evolved into a global art form, transcending caste distinctions. Artists now freely work across all five styles, and Mithila art has gained international recognition.

(ii) Artists from other castes incorporated elements from their daily lives, local legends like the story of Raja Shailesh, and various symbols into their paintings. In contemporary times, Madhubani art has evolved into a global art form, transcending caste distinctions.

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