NCERT Class 9 Arts MCQ Chapter 10 Components of Dance Solutions English Medium As Per New Syllabus. to each chapter is provided in the list so that you can easily browse through different chapters NCERT Class 9 Arts MCQ Chapter 10 Components of Dance Notes and select need one. NCERT Class 9 Arts MCQ Chapter 10 Components of Dance Question Answers Download PDF. NCERT Class 9 Arts Multiple Choice Question Answer.
NCERT Class 9 Arts MCQ Chapter 10 Components of Dance
Also, you can read the NCERT book online in these sections Solutions by Expert Teachers as per Central Board of Secondary Education (CBSE) Book guidelines. CBSE Class 9 Arts Objective Type Solutions are part of All Subject Solutions. Here we have given NCERT Class 9 Arts Madhurima MCQs, CBSE Class 9 Arts MCQ Questions for All Chapters, You can practice these here.
Components of Dance
Chapter: 10
| MCQ |
1. According to the Nāṭyaśhāstra, how many types of expressive communication (abhinaya) are there?
(a) Two.
(b) Three.
(c) Four.
(d) Five.
Ans: (c) Four.
2. Which of the following is NOT considered one of the four-fold abhinayas?
(a) Āṅgika.
(b) Vāchika.
(c) Nṛitta.
(d) Sāttvika.
Ans: (c) Nṛitta.
3. The phrase ‘Nitya Nūtana aur Purātana’ is used to describe dance (nṛitya) as something that is:
(a) Only practiced by ancient people.
(b) Simultaneously old, yet can always bring newness.
(c) Restricted to classical music.
(d) Unable to change with time.
Ans: (b) Simultaneously old, yet can always bring newness.
4. The poised, alert, and properly aligned stance of a dancer is called:
(a) Rūpa.
(b) Laya.
(c) Rekhā.
(d) Sauṣhṭhava.
Ans: (d) Sauṣhṭhava.
5. In dance, linear or curved forms created through the coordination of body parts (like stretches, bends, and arcs) are called:
(a) Rekhā.
(b) Tāla.
(c) Rūpa.
(d) Abhinaya.
Ans: (a) Rekhā.
6. When a dancer reflects joy or emotion with bright, expressive eyes and a pleasant face, this disposition is called:
(a) Sauṣhṭhava.
(b) Rūpa.
(c) Tāla.
(d) Rekhā.
Ans: (b) Rūpa.
7. What term is used to describe the “tempo” or speed of the rhythm in Indian dance?
(a) Chārī.
(b) Sthāna.
(c) Laya.
(d) Tāla.
Ans: (c) Laya.
8. The basic rhythmic cycles (tāla) used in many Indian dance forms generally consist of permutations of which combinations of beats?
(a) 1, 2, 4, 6, and 8 beats.
(b) 3, 4, 5, 7, and 9 beats.
(c) 10, 12, 14, and 16 beats.
(d) 2, 3, 6, 8, and 12 beats.
Ans: (b) 3, 4, 5, 7, and 9 beats.
9. Non-narrative dance comprising pure dance movements without conveying any specific meaning or story is known as:
(a) Nṛitya.
(b) Sāttvika.
(c) Vāchika.
(d) Nṛitta.
Ans: (d) Nṛitta.
10. A dance style that blends pure movement with expressive communication (abhinaya) to narrate a story is called:
(a) Nṛitya.
(b) Nṛitta.
(c) Āhārya.
(d) Rekhā.
Ans: (a) Nṛitya.
11. Gambhir Singh Mura was a prolific artist and teacher famous for incorporating animal movements into which dance form?
(a) Kathakali.
(b) Purulia Chhau.
(c) Odissi.
(d) Manipuri.
Ans: (b) Purulia Chhau.
12. While Seraikella and Purulia Chhau use impressive masks, which style of Chhau does NOT use a mask?
(a) Jhargram Chhau.
(b) Mayurbhanj Chhau.
(c) Singbhum Chhau.
(d) Dhalbhum Chhau.
Ans: (b) Mayurbhanj Chhau.
13. Using verbal elements like spoken words, poetry, music, and rhythmic syllables for expressive communication is known as:
(a) Āhārya Abhinaya.
(b) Sāttvika Abhinaya.
(c) Vāchika Abhinaya.
(d) Āṅgika Abhinaya.
Ans: (c) Vāchika Abhinaya.
14. The Mahārīs, who traditionally sang as they danced within the inner sanctum of the temple, were associated with which famous temple?
(a) Somnath Temple in Gujarat.
(b) Brihadeeswara Temple in Tamil Nadu.
(c) Meenakshi Temple in Madurai.
(d) Shree Jagannatha Temple in Odisha.
Ans: (d) Shree Jagannatha Temple in Odisha.
15. During the annual Sāvan Jhūlā festival in Ayodhya, who narrates stories from the Purāṇas through live singing and dancing?
(a) Kathākārs.
(b) Mahārīs.
(c) Devadasis.
(d) Nattuvanars.
Ans: (a) Kathākārs.
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