NCERT Class 9 Arts MCQ Chapter 11 Dance as Visual Storytelling Solutions English Medium As Per New Syllabus. to each chapter is provided in the list so that you can easily browse through different chapters NCERT Class 9 Arts MCQ Chapter 11 Dance as Visual Storytelling Notes and select need one. NCERT Class 9 Arts MCQ Chapter 11 Dance as Visual Storytelling Question Answers Download PDF. NCERT Class 9 Arts Multiple Choice Question Answer.
NCERT Class 9 Arts MCQ Chapter 11 Dance as Visual Storytelling
Also, you can read the NCERT book online in these sections Solutions by Expert Teachers as per Central Board of Secondary Education (CBSE) Book guidelines. CBSE Class 9 Arts Objective Type Solutions are part of All Subject Solutions. Here we have given NCERT Class 9 Arts Madhurima MCQs, CBSE Class 9 Arts MCQ Questions for All Chapters, You can practice these here.
Dance as Visual Storytelling
Chapter: 11
| MCQ |
1. What is Indian dance often described as, meaning “visual poetry”?
(a) Vāchika-kāvya.
(b) Dṛiśhya-kāvya.
(c) Sāttvika-kāvya.
(d) Āhārya-kāvya.
Ans: (b) Dṛiśhya-kāvya.
2. Which classical literary work by Kālidāsa is mentioned as being interpreted through dance?
(a) Meghadūta.
(b) Kumārasambhava.
(c) Abhijñāna-Śhākuntalam.
(d) Raghuvamsha.
Ans: (c) Abhijñāna-Śhākuntalam.
3. Which English playwright’s famous work is shown being interpreted in Kathak?
(a) Christopher Marlowe.
(b) John Milton.
(c) William Shakespeare.
(d) Jane Austen.
Ans: (c) William Shakespeare.
4. The Dyūta-krīḍā scene from the Mahābhārata is depicted in which dance form in Fig 11.2?
(a) Kathakali.
(b) Kathak.
(c) Bharatanatyam.
(d) Odissi.
Ans: (a) Kathakali.
5. Where is the sixth-century CE Dancing Śhiva sculpture located?
(a) Hampi.
(b) Khajuraho.
(c) Badami.
(d) Konark.
Ans: (c) Badami.
6. How many hands are depicted on the Dancing Śhiva sculpture from Badami?
(a) 12.
(b) 16.
(c) 18.
(d) 24.
Ans: (c) 18.
7. How many different dance poses can be formed from the hands of the Dancing Śhiva sculpture?
(a) 51.
(b) 61.
(c) 81.
(d) 108.
Ans: (c) 81.
8. The use of the body as a tool for communication in dance is referred to as:
(a) Āṅgika Abhinaya.
(b) Vāchika Abhinaya.
(c) Āhārya Abhinaya.
(d) None of the above.
Ans: (a) Āṅgika Abhinaya.
9. Which of the following is NOT a stylised movement of Āṅgika Abhinaya?
(a) Sthāna.
(b) Chārī.
(c) Speech.
(d) Hastas.
Ans: (c) Speech.
10. What does Vāchika Abhinaya primarily utilize?
(a) Costumes and make-up.
(b) Verbal and aural elements.
(c) Hand gestures.
(d) Lighting and stage design.
Ans: (b) Verbal and aural elements.
11. Which of the following is an example of rhythmic syllables used in Vāchika Abhinaya?
(a) Dha, ta, ka.
(b) Sa, re, ga.
(c) Sthāna, chārī.
(d) Utplavana, bhramarī.
Ans: (a) Dha, ta, ka.
12. Which regional dance from Maharashtra uses only instrumental music?
(a) Lāvaṇī.
(b) Tārpā.
(c) Dhamāl.
(d) Bihu.
Ans: (b) Tārpā.
13. Diṁsā is an instrumental dance form from which state?
(a) Madhya Pradesh.
(b) Andhra Pradesh.
(c) Uttar Pradesh.
(d) Himachal Pradesh.
Ans: (b) Andhra Pradesh.
14. Kaikoṭṭikaḻi dance belongs to which state?
(a) Tamil Nadu.
(b) Karnataka.
(c) Kerala.
(d) Odisha.
Ans: (c) Kerala.
15. Rāut Nāchā is performed in which state?
(a) Chhattisgarh.
(b) Jharkhand.
(c) Rajasthan.
(d) Gujarat.
Ans: (a) Chhattisgarh.
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