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NCERT Class 9 Arts Important Chapter 13 Dance Choreography
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Dance Choreography
Chapter: 13
| IMPORTANT QUESTION ANSWER |
Short Questions Answer
1. What is the definition of choreography?
Ans: Choreography is the art of creating and arranging dance movements to form a visual pattern or spectacle.
2. Who is considered the first known thinker on the idea of choreography in India?
Ans: Sage Bhārata is the first known thinker on the idea of choreography in India.
3. What ancient text did Sage Bhārata author?
Ans: He authored the Nāṭyaśhāstra.
4. What is the ancient concept of ‘Piṇḍībandhas’?
Ans: Described over 2000 years ago, ‘Piṇḍībandhas’ are group formations characterised by clustering, weaving, linking, and moving in coordinated shapes.
5. What is the Indian term used for dance choreography or dance creation?
Ans: The term used is nṛitya-saṁrachanā.
6. What is the role of a choreographer?
Ans: A choreographer works collaboratively with dancers to shape ideas, experiment with movement, and refine them before the final presentation.
7. What does “Concept” mean in the context of choreography?
Ans: It refers to a clear subject, story, or theme that the dance will explore, such as seasons, emotions, or journeys.
8. Name three choreographic tools used to enhance a dance presentation.
Ans: Choreographic tools include repetition, contrast, canon, unison, variation, formation changes, mirroring, and the use of props.
9. In folk traditions, what do movement patterns usually resemble or reflect?
Ans: Folk movement patterns often resemble patterns from daily life, collective experience, nature, and the cosmos.
10. What do movement vocabularies in Indian regional dances reflect about society?
Ans: They reflect community life, including shared work, social bonds, and collective celebration expressed through bodies moving together in rhythm.
11. Name three regional dance forms in India where human pyramids or formations are commonly seen.
Ans: These formations are seen in Mallakhamba (Maharashtra), Karagāṭṭam (Tamil Nadu), and Bhangra (Punjab).
12. Which regional dance is known as a “Butterfly dance”?
Ans: The Bagurumba dance from Assam.
13. Who developed the contemporary dance vocabulary known as Nava Nritya?
Ans: Manjushree Chaki Sarkar developed Nava Nritya.
14. What inspired Manjushree Chaki Sarkar to create Nava Nritya?
Ans: Her exposure to Western modern and contemporary dance in the USA and her background in cultural anthropology inspired her to create a new contemporary dance vocabulary rooted in Indian aesthetics.
15. In what year did Manjushree Chaki Sarkar receive the Sangeet Natak Akademi award?
Ans: She received the award in 1994.
16. Why is mapping the dance floor an important skill for a choreographer?
Ans: Mapping the dance floor to make various lines and shapes enables the choreographer to visualise the possibilities of movement patterns.
17. According to traditional stage directions, which direction do performers face?
Ans: Performers traditionally face East.
18. What does the term “Kutapa” refer to in stage mapping?
Ans: “Kutapa” refers to the Orchestra.
19. What are the four types of abhinayas that can be included in choreography?
Ans: The four types are expressive/stylised movements (mime, hand gestures), rhythmic syllables/spoken word, props, and emotional expression.
20. According to Sage Bharata, what must a dancer bring to a performance in addition to the guidance of the Nāṭyaśhāstra?
Ans: The dancer must bring their own imagination to shape the performance creatively.
Long Answer Type Questions
1. What are the main components and considerations involved in creating a dance choreography?
Ans: Creating a dance choreography involves several carefully planned components:
Concept: Establishing a clear subject, story, or theme (e.g., seasons or socially relevant ideas).
Movement Vocabulary: Choosing the dance styles to be used, such as classical, folk, or contemporary.
Space: Planning the use of formations, directions, spatial levels, and distances between dancers.
Style and Time: Deciding on the genre of the presentation and managing rhythm, tempo, and pauses to influence the mood.
Choreographic Tools: Utilizing devices like contrast, unison, canon, repetition, and the use of props to make the visual spectacle engaging.
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