Class 11 Swadesh Adhyayan MCQ Chapter 7 Intellectual, Cultural and Religious Heritage

Class 11 Swadesh Adhyayan MCQ Chapter 7 Intellectual, Cultural and Religious Heritage Solutions, HS 1st Year Swadesh Adhyayan MCQ Notes, Class 11 Swadesh Adhyayan MCQ Chapter 7 Intellectual, Cultural and Religious Heritage Question Answer to each chapter is provided in the list so that you can easily browse throughout different chapter Assam Board Class 11 Swadesh Adhyayan MCQ Chapter 7 Intellectual, Cultural and Religious Heritage Notes and select needs one.

Class 11 Swadesh Adhyayan MCQ Chapter 7 Intellectual, Cultural and Religious Heritage

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Also, you can read the SCERT book online in these sections Solutions by Expert Teachers as per SCERT (CBSE) Book guidelines. AHSEC Class 11 Swadesh Adhyayan Multiple Choice Question Answer English Medium. These solutions are part of SCERT All Subject Solutions. Here we have given AHSEC Class 11 Swadesh Adhyayan MCQ Notes for All Subject, You can practice these here.

Intellectual, Cultural and Religious Heritage

Chapter – 7

SWADSH ADHYAYAN

MULTIPLE CHOICE QUESTION ANSWER

1. Which literary tradition is considered significant for understanding the history of ancient Assam?

(i) Assamese.

(ii) Sanskrit.

(iii) Bengali.

(iv) Tamil.

Ans: (ii) Sanskrit.

2. What is the significance of the Kalika Purana in understanding the history of Assam?

(i) It provides insights into contemporary political and cultural scenarios.

(ii) It discusses the evolution of Buddhism in the region.

(iii) It focuses on the trade relations with neighbouring kingdoms.

(iv) It delves into the architectural styles of ancient Assam.

Ans: (i) It provides insights into contemporary political and cultural scenarios.

3. Which ruler’s patronage led to the development of Sanskrit literature in Assam?

(i) Ahom kings.

(ii) Koch kings.

(iii) Kamata kings.

(iv) Chutiya kings.

Ans: (i) Ahom kings.

4. Which text provides information about the kings of Kamarupa?

(i) Kalika Purana.

(ii) Yogini Tantra.

(iii) Haragouri Samvada.

(iv) Dipikachanda.

Ans: (iii) Haragouri Samvada.

5. ‘Buranji’ means–

(i) a storehouse of knowledge for dumb people.

(ii) history of ancient times.

(iii) history of Ahom kingdom.

(iv) a storehouse of royals.

Ans: (i) a storehouse of knowledge for dumb people.

6. Who has composed the Darrang Raj Vamsavali? 

(i) Surya Khari Daivagya.

(ii) Sukumar Borkaith.

(iii) Sankaradeva.

(iv) None of the above.

Ans: (i) Surya Khari Daivagya.

7. Who composed the ‘Hasthividyarnava’? 

(i) Surya Khari Daivagya.

(ii) Sukumar Borkaith.

(iii) Sankaradeva.

(iv) None of the above.

Ans: (ii) Sukumar Borkaith.

8. Who made the paintings of ‘Hastivodyarnava’? 

(i) Dilbor and Dosai.

(ii) Sukumar Borkaith.

(iii) Sankaradeva.

(iv) None of the above.

Ans: (i) Dilbor and Dosai.

9. Who was the founder of Neo-Vaishnavism in Assam? 

(i) Mahapurusha Sankaradeva.

(ii) Sukapha.

(iii) Mahapurush Madhavdev.

(iv) None of the above.

Ans: (i) Mahapurusha Sankaradeva.

10. Who wrote ‘Tabaqat-i-Nasiri’? 

(i) Abul Fazal.

(ii) Sukapha.

(iii) Minhaj-ud-din-Siraj.

(iv) None of the above.

Ans: (iii) Minhaj-ud-din-Siraj.

11. Who composed the text ‘Bhakti Ratnavali’ originally?

(i) Sankardeva.

(ii) Madhavdeva. 

(iii) Bishnupuri Sanyasi.

(iv) Varanasi.

Ans: (iii) Bishnupuri Sanyasi.

12. Which famous Sanskrit texts were translated into Assamese? 

(i) Ramayana and Mahabharata.

(ii) Bhagavadgita and Upanishads. 

(iii) Bhagavata Purana and Bhakti Ratnawali.

(iv) Bhakti Ratnakar and Bhakti Ratnawali.

Ans: (ii) Bhagavadgita and Upanishads.

13. Who requested Madhavdeva to translate ‘Bhakti Ratnavali’ into Assamese? 

(i) Sankardeva. 

(ii) Bishnupuri Sanyasi.

(iii) Varanasi. 

(iv) Bhagavata Purana.

Ans: (i) Sankardeva.

14. Who wrote The Kirtan Ghosa?

(i)) Sankardeva.

(ii) Madhavdeva.

(iii) Bishnupuri Sanyasi.

(iv) None of the above.

Ans: (i) Sankardeva.

15. Who wrote The NamGhosa?

(i) Sankardeva.

(ii) Madhavdeva.

(iii) Bishnupuri Sanyasi.

(iv) None of the above.

Ans: (ii) Madhavdeva.

16. Who translated gita govinda into assamese? 

(i) Madhab Kandali.

(ii) Kabiraj Chakravarti.

(iii) Sukumar Borkaith.

(iv) None of the above.

Ans: (ii) Kabiraj Chakravarti.

17. The three schools of paintings found in Assam are–

(i) Satriya, Royal Court and Popular.

(ii) Vaishnavism, Royal and Popular.

(iii) Royal, General and Popular.

(iv) None of the above.

Ans: (i) Satriya, Royal Court and Popular.

18. The four Categories of Musical instruments are–

(i) Avanaddha, Susir, Ghana and Tata.

(ii) Shadja, Rishabha, Gandhara, and Panchama.

(iii) Sushir, Ghan, Tat, and Vikrut.

(iv) Sitar, Tabla, Flute, and Harmonium.

Ans: (i) Avanaddha, Susir, Ghana and Tata.

19. Which musical instrument played a crucial role in Srimanta Sankaradeva’s bhakti movement?

(i) Flute.

(ii) Violin.

(iii) Khol.

(iv) Sitar.

Ans: (iii) Khol.

20. ‘Jai Dhol’ which type of musical instruments? 

(i) Avanaddha musical instruments.

(ii) Susir musical instruments.

(iii) Ghana Musical instruments.

(iv) None of the above.

Ans: (i) Avanaddha musical instruments.