NIOS Class 12 Painting Chapter 3 Ajanta and Post Ajanta Painting

NIOS Class 12 Painting Chapter 3 Ajanta and Post Ajanta Painting Solutions English Medium As Per New Syllabus. to each chapter is provided in the list so that you can easily browse throughout different chapters NIOS Class 12 Painting Chapter 3 Ajanta and Post Ajanta Painting and select need one. NIOS Class 12 Painting Chapter 3 Ajanta and Post Ajanta Painting Question Answers Download PDF. NIOS Study Material of Class 12 Painting Notes Paper 332.

NIOS Class 12 Painting Chapter 3 Ajanta and Post Ajanta Painting

Also, you can read the NIOS book online in these sections Solutions by Expert Teachers as per National Institute of Open Schooling (NIOS) Book guidelines. These solutions are part of NIOS All Subject Solutions. Here we have given NIOS Class 12 Painting English Medium Solutions, NIOS Senior Secondary Course Painting Solutions for All Chapter, You can practice these here.

Ajanta and Post Ajanta Painting

Chapter: 3

INTEXT QUESTIONS 3.1

A. Choose the most appropriate option:

1. Bodhisattva Avalokitesvara belong to: 

(i) Cave No. 1 

(ii) Cave No. 2 

(iii) Cave No. 12 

(iv) Cave No. 13

Ans: (i) Cave No. 1.

2. What is the title or subject of the painting? 

(i) Lord Bodhisattva 

(ii) Bodhisattva Avalokitesvara 

(iii) God Bodhisattva 

(iv) None of these

Ans: (ii) Bodhisattva Avalokitesvara.

INTEXT QUESTIONS 3.2

A. Match the following:

Column A	Column B
1. Medium	(i) Dark brown
2. The skin colour of Apsara	(ii) Tempera
3. Apsara holding	(iii) Khartal

Ans: 

Column A	Column B
1. Medium	(ii) Tempera
2. The skin colour of Apsara	(i) Dark brown
3. Apsara holding	(iii) Khartal

INTEXT QUESTIONS 3.3

A. Fill in the blanks with appropriate words:

1. ____________  medium is used in this painting?

Ans: Tempera.

2. The long panels and borders from the ceiling of caves are painted with ___________, ___________, ___________  etc. to create diverse patterns of great artistic value.

Ans: Swan, birds, lotus.

INTEXT QUESTIONS 3.4

1. Which is the technique used in the painting?

Ans: Tempera.

2. In which state are the Bagh caves situated?

Ans: Madhya Pradesh. 

3. Give the total number of caves at Bagh.

Ans: Nine.

TERMINAL QUESTIONS

1. Why is Gupta period considered as an important period in the history of art?

Ans: The Gupta period is considered important because it carried forward the traditions of sculpture and painting, producing numerous new movements and a distinct art style. It resulted in remarkable outcomes characterized by qualities like softness, smoothness of sculpture, and slender bodies.

2. In which period were Ajanta paintings done?

Ans: Most of the Ajanta paintings were created during the Gupta and Vakataka periods.

3. Who was known by the title Vikramaditya and why?

Ans: Chandra Gupta-II (375-415 A.D.) was known by the title of Vikramaditya. He earned this title as a powerful successor who sustained and strengthened the Gupta power after his father, Samudra Gupta.

4. What were the phases witnessed by the Gupta period?

Ans: The sources highlight the phases of the Gupta period through the succession of its major rulers: it began with Chandra Gupta-I who ascended the throne around 320 A.D., followed by the phase where the empire’s power was sustained by his son Samudra Gupta (335-375 A.D.), and subsequently by Chandra Gupta-II (375-415 A.D.).

5. Where are Ajanta caves situated? When and by whom were Ajanta caves discovered?

Ans: The Ajanta caves are situated over the winding bed of the Waghora River, which is a small tributary of the Tapti river, sixty miles northeast of the Aurangabad district in Maharashtra. They were discovered in 1819 by officers of the Madras regiment, one of whom was Major John Smith.

6. What does Ajanta constitute, and what does Jatakas represent?

Ans: Ajanta constitutes a great gallery of Buddhist art that illustrates scenes from the life of Lord Buddha, his previous lives, floral and animal motifs, and stories. The Jatakas represent the stories of Buddha’s previous births in various forms, such as animals, birds, and plants.

7. Which colours are used in Shilpa Sutra’s text?

Ans: The five main colours described in the Shilpa Sutra text are Red Ochre (geru), Yellow Ochre (Pilimitti), black (Kajal), Lapis lazuli (Blue), and White (Lime or Khadia).

8. How was the wall of Ajanta prepared?

Ans: Before starting to paint, the artists prepared the cave wall by applying a first coating made of clay mixed with rice husk, cattle dung, and gum.

9. What is the skin colour of Apsara?

Ans: The skin colour of the Apsara in the Ajanta paintings is dark brown.

10. What is the Apsara holding in her hands?

Ans: The Apsara is holding a musical instrument called a cymbal (also referred to as Khartal) in her hands.